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In a wistful promotion aimed at that lovelorn Valentine's Day market, EditorsKeys are trying to make us fall in love with editing again. Some spec and other keyboards after the break.

Boston based camera man Tom Guilmette shares his experience of shooting 3D, and the positives and negatives of the Panasonic AG 3DA1 3D Video Camera. This is an informed perspective so well worth a listen. Find out more about editing 3D footage after the break.

UPDATE: Walter Murch's 3D verdict in (also after the break)

30_minutes_of_FCP_tips

Does what it says on the tin and they come thick and fast. Video (flash only I'm affraid) after the break.

Noise Industries have announced the release of free plugin Manifesto 1.0, which comes in two variants: a static title generator and a title roll/crawl generator, and it's infinitely more powerful than the native title generator in FCP. FX Factory has also had an update. More after the break.

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FINAL CUT PRO X & FILM PRODUCTION

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FCPX & MOTION TUTORIAL PICKS

  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
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