FCP.co Live Show 5 - Extreme Mobile Filmmaking - Making Documentaries on the Road
"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?" In this show, we will be speaking to Carsten Orlt who we recently featured on FCP.co, he jumped!
An Overview of the Apple Hardware Ecosystem for Video Professionals
In this article, Sam Mestman looks at each Apple product that can shoot or edit, indicates its place for filmmaking and also tells us which models he recommends. If you re thinking of buying a new Mac, iPad or iPhone, this is for you!
FCP.co Live Show 4 - Mobile Filmmaking with the iPhone 11 Pro
Apple has just announced the iPhone 11 and iPhone 11 Pro. Faster chips, better screens and of course more cameras on the back. Those phone are nothing less of a computational marvel so we discussed the phones and their implications on mobile filmmaking. A lot of chat, a lot of information and a lot of fun!
Format a TV Commercial in Final Cut Pro X for Delivery in the UK
Back in 2012, we featured a book about delivering for broadcast by Craig Russill-Roy. Seven years on, he's back with more tutorials, including how to layout a commercial in FCPX the correct way for delivery.
RECENT POSTS
- 1
- 2
- 3
- 4
FINAL CUT PRO X & FILM PRODUCTION
- 1
- 2
FCPX & MOTION TUTORIAL PICKS
-
War on Keyframes - Speed up Your Workflow in FCPX Now!
Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More -
Recreating the Rogue One Movie Title in Final Cut Pro X
The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More -
Final Cut Pro X Fincher Style Part One
Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More -
Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke
XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
- 1
- 2
- 3
- 4