So we've been there before with our 1000fps slomos in Twixtor and in Motion as well. But while we were looking at DSLRs to create cool Time Lapse effects, there's always somebody out there tinkering with new cameras and FCP. More after the break.
So most of us want to get our hands on a Sony PMW-F3 and test its capabilities, and as more and more units get out there, there should be more and more edit throughput. But while delivery is still eagerly expected by some, the guys at RealVision recently got invited to use two F3s by Sony! And the reason? To test out the camera's stereoscopic 3D possibilities. More after the break.
Life is about timing and when Apple launch a revolutionary new product, you are not going to get many column inches attributed to yours. This happened to CrumplePop, so let's give them a bit of space to promote their cool new DIY titles effects for Final Cut Pro. Video and links after the break.
*** Updated 23rd February with news of a fix from Matrox ***
We do let our editor out every now and then on paying freelance jobs, he does need to see daylight once a month! This weekend he was working for the BBC and came across an output level mismatch with the Matrox MXO2 and Final Cut Pro.