AC/DC, Coldplay, The Rolling Stones, Robbie Williams, Metallica, David Gilmour, Duran Duran, Placebo, Dixie Chicks, Zipperface, Beyoncé, Björk… You name them, James Tonkin has worked with them. In this extensive interview, he talks about the gear he takes on the road to shoot and edit concerts of the world’s greatest bands, and about his new high-end post house in London. A good read for anyone who is interested in camera gear and post production technology.
Near-live broadcast editing is one of the craziest jobs in our business. You constantly work under high pressure, ingesting, organizing, editing and finishing you program while the event is still going on. And your edit needs to be ready to air as quickly as possible while you have to comply with the highest quality standards. This requires a well-oiled team of very experienced people using hardware and software that is both fast and absolutely reliable. Because there are no excuses.
The new color tools in the coming FCP X update look very impressive. They will undoubtedly incite more people to stay right within FCP X from start to finish. But they will also offer new opportunities for third-part developers to add extra functionality to the enhanced grading functions inside FCP X.
Is it really November and Black Friday week already? It certainly is and we thought we would put together a growing list of the deals we could find for FCPX editors- software and hardware.