Two Oscars in two years in the best live action short film category for Final Cut Pro X. This year's winners took to the Faster Together stage to talk about how the film was made, including a live demo from the editor of the Skin timeline in FCPX.

It's now no secret that ITV4’s 2014 highlights coverage of the Tour de France was made by a team of editors working on Final Cut Pro X.

A production of this scale and quick turnaround had never been tried before on FCPX. Four edit suites with new Mac Pros connected to a 70 TB Xsan. All producing a highlights show on air on ITV4 at 7pm every day for 21 days. And with the Tour starting in the UK in Yorkshire and our output also being live on ITV1 on Saturday and Sunday afternoon to millions of viewers, the pressure was certainly on.

So enjoy our biggest FCPX user story of the year so far!

When broadcast transmission deadlines are tight, you need an NLE that's fast and robust. John Matthews describes his Final Cut Pro X workflow that enables him to deliver quick turnaround shows to the BBC with ease.

MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.

Frame.io for us has been a revelation. Every client we have shown it to has commented that the online service is a very easy and professional way of sharing video work. So when there's an opportunity to hear the founder of Frame.io Emery Wells talk, we had to listen. 

'Best of the Bronx' won the category of Outstanding Community Service PSA campaign at the recent 58th New York Emmy Awards. Walter Garaicoa tells FCP.co how the spots were shot on DSLRs and edited using Final Cut Pro X.

A headline writers dream, not the name of the product but the opportunity was far too good to miss! ISP from Japan have updated their Film Color like HDR plugin to work with Final Cut Pro X.

With the big increase in people posting on social media, it is inevitable that editors are going to have to reproduce posts and pages on screen. The new XEffects Social Media plugins for Final Cut Pro X make this task a lot easier.

Color Grading Central have released classyLook, a $69 plugin for Final Cut Pro X that not only colour corrects, it also emulates old classic film dye emulsions. We have a 20% off coupon for today only!

This guy talks sense. He has boiled down into one video information that would have taken other Final Cut Pro gurus a whole day to present. We've watched a lot of FCPX videos here and if you can get past the rather odd window location, we definitely recommend a view. Humorous too.

If you've been working with Final Cut Pro X for a while you will know that it shows all events on a disk by default. Event Manager allows you to selectively hide or show events and it's just been updated with new features to version 1.2.

The biggest FCPX story for us of the show so far is the slightly unexpected but very welcome news that EVS will support growing files by the end of the year.

The tutorials from Steve Martin and Mark Spencer are always good, but this one is excellent. The duo explore some of the new audio features in the 10.0.6 FCPX update. Essential viewing.

One of the advantages of FCPX being built using databases is the fact that other apps can easily get access to the data. That's exactly what the new application Producer's Best Friend from Assisted Editing does when loading timeline or event information into Excel.

When Apple added captions to FCPX, the most regular question about them posted on forums was ‘How do I burn them in on export?' You couldn't then, but now you can with Caption Burner, a new plugin from FxFactory.

Do you need to export a lot of stills from a Final Cut Pro X timeline for reference or publication to the web? A new free application called FCPXImageExporter that was born over the weekend will do the job automatically.

No cake this time, but this week we have more valuable tips and information from Steve Martin and Mark Spencer on MacBreak Studio. In this episode it's all about exporting audio.

So you just finished your first FCPX job and you need to send the audio off for mixing in a plush suite with all those faders that move up and down when nobody touches them. Automatic Duck have released an update to Pro Export FCP to help you get the files and data out.

If you are editing with Final Cut Pro X for broadcast and you've been asked to supply a file for programme delivery, what specifications do you need to follow? Hamburg Pro Media have made life easier with the AS-11 Suite which will export your finished master complete with all the metadata needed.

We have broken off from our Christmas to New Year break to bring you the latest episode of MacBreak Studio, it's a good one. Lots of exporting knowledge from the two guys as they look at more features from the 10.0.6 update.

In this week's episode of MacBreak Studio, Steve and Mark take a look how to extend the functionality of the built-in Ken Burns picture moving tool. If you want a pause in the movement, then read on.

Need to get a lot of still images from moving media? One of the spinoffs from using a DAM is the ability to easily process such time consuming tasks. Georgia Dawson looks at how Kyno helps streamline that process. Kyno has had an update to 1.3 and is on sale too!

If you work in broadcast then you will be very familiar to having to keep an eye on video levels. Nobody loves a rejected master. Eyejeight has just announced the availability of a plugin legaliser to make sure your whites aren't too white. 

Eyeheight has just announced a compliance plugin for use within Final Cut Pro X. With a press release title like that, how could we not pay a visit to the Eyeheight stand at IBC this year? 

Just in:  **Apple to present at the first FCP eXchange**

FCPWORKS and FCP.co are proud to announce the first in a set of workshops aimed at the Final Cut Pro X editor. The first one is in October in Los Angeles, so sign up now!

We're excited to share the news that the FCP Exchange workshop series produced by FCPWORKS and promoted by FCP.co continues in 2016 with new sessions in Los Angeles in March and at NAB in Las Vegas this April.

Those FCPX Presentations filmed from iPhones, iPads, Canons, Nikons, and Panasonics are starting to spring up across the net, like Pink Floyd bootlegs. Some have been filmed from bags, other like Emmanuel Pampuri's managed to get both presentation party and screen in shot, and with a somewhat frenzied sting on the front! Well done Manu for posting so soon. Part 2 after the break.

You might have read between the lines over the last month and worked out that FCP.co will be at NAB this year. We have setup a WhatsApp group and have a few discount codes that might come in handy.

We are very pleased to announce that FCP.co will be reporting from WWDC in San Jose next week. In fact we will be at the Keynote presentation and the State of the Union presentation. We can’t wait!

If you are in London at the BVE show on Wednesday, make sure you meet up with fellow FCPX editors on the Softron stand E25 at 4pm. There's beers to be drunk!

An Apple event has been announced for next Thursday October the 27th. We will be reporting on new Macs and maybe the release of an update to Final Cut Pro X.

So how close are the trimming modes between FCP7 and FCPX? In this tutorial all the major trimming methods are examined in both versions of Final Cut Pro.

Independent filmaker Nick Gregorio got an added bonus when his feature 'Green' was able to be remastered in FCPX with the original RED files via Resolve.

It is not a scientific comparison by any stretch of the imagination, but what happens when FCP7 and FCPX go head to head in an editing speed test? A slow news day in the FCP world? Maybe but at least it's not another blog post with the same old FCPX rehash.

Were you one of the ones from Europe that wanted to go to the FCPX Creative Summit because of the Apple presentation, but couldn't make it? Looks like the show might be coming across the pond for IBC 2015 in Amsterdam.

So what is going on at NAB 2015 that is directly related to Final Cut Pro X? Sam Mestman tells us what FCPWORKS has organised for those rapidly approaching dates in Las Vegas. Lots of FCPX related presentations and a chance to meet up with Apple representatives! 

In case you hadn't heard about them or can't get to Las Vegas this year, FCPWORKS has been taping their Final Cut Pro X presentations. Just in is their keynote speech from Sam Mestman

FCPWORKS has just published videos of three of the presentations from their recent event in Los Angeles. Alexis Van Hurkman, Sam Mestman and Bryce Button are all on stage.

Looks like the Final Cut Pro X News is spreading!  Just announced are two new events, London on the 15th and Berlin on the 18th of November 2016. Now Europe can see the cool 10.3 demonstrations.

Final Cut Pro X might not be for you, so what are the options? Oliver Peters takes a tour through the NLE alternatives.

Nice to see somebody showing off what Final Cut Pro X CAN do instead of slamming it all the time. In these four videos from the recent LAFCPUG meeting, Steve Kanter runs through the positives.

What? At the recent meeting of the Los Angeles Final Cut Pro User Group, FCP guru Larry said exactly that on stage. The four videos after the break are well worth a watch if you are going to be buying FCPX next week.

What a day yesterday was, the 10.0.3 update for Final Cut Pro X set the Internet alight. We thought we would take a look at the third party announcements that might have been overshadowed by the news from Cupertino. News from AJA, Blackmagic Design, Intelligent Assistance, Marquis, GenArts, Red Giant and more.

On taking a closer look at the screengrabs from yesterday, we found out some interesting new functionality. Can we build our own effects, generators and transitions with the Motion5(X) FCPX partnership?

No more testing in the office, we took the Mac Pro on the road for a real outside broadcast TV job. This was cutting on the front line. So just how did the Mac Pro perform? You will be in for a very short surprise.

I recently took delivery of a new iMac 27-inch with Retina 5K display. So what better opportunity to test it out than the hardest broadcast job I do all year. So how did it and Final Cut Pro X cope? The last two years were with a Mac Pro, would it be fast enough?

So the big question for today is will we see FCPX in the Steve Jobs keynote presentation at the Worldwide Developers Conference?

If you missed Michael Garber's Final Cut Pro X demos at NAB this month, don't worry. He's just published his multicam broadcast workflow online for everybody to pickup tips from.

The boys are back with another episode of MacBreak Studio. This time Steve Martin and Mark Spencer look at greenscreen keying with a couple of cool tricks for Final Cut Pro X.

Robin Moran publishes his last part in a series of three articles on how to handle large sized camera media in Final Cut Pro X. This time he's describes what's changed in FCPX 10.3, what has been fixed and also supplies a very handy resolution cheat sheet.

Robin Moran's article about how to shoot on large format media such as 6K and then edit in Final Cut Pro X proved to be very popular. In part two, he looks at taking the media into Resolve and Pro Tools, with a few VFX back in FCPX.

We've been expecting it for a while, Apple have released a free update to Final Cut Pro X. New features are included and some features announced for the future.

If there is one quality you can use to single Final Cut Pro X out from the rest of the NLEs out there, it's the program's ease of great visual storytelling. Rusty Earl details how he used FCPX to construct the historical documentary 'Dawn of Day."

We deliberated long and hard about posting this video and in the end after watching it with fellow Final Cut Pro editors and laughing at it again, we decided to publish. Another take on FCPX this time staring Leonardo DiCaprio.

We return to Macbreak for episode two of Steve Martin and Mark Spencer's chat about Final Cut Pro X.

A great video from the new Final Cut Pro X tutorial maker, FCPX Master. We see the differences between trimming, cropping and of course the old favourite, the Ken Burns effect on photos.

Whoa! hang on, don't spit your coffee out, this isn't a standalone Final Cut Pro X app running on an iPad, it's actually FCPX running remotely. We've seen this before but here Matts Macintosh shows us how well the GUI would work if FCPX was an iPad app. Interesting and frightening.

Not an advert for the latest bottle of skin care products, but an electronic alternative instead. This $39 plugin will hopefully take years off your subjects!

Without a doubt, proxies within Final Cut Pro X make life a lot easier when dealing with larger formats. Those are internally generated though, so what about relinking original media to camera generated proxies? Slavik Boyechko explores...

The three wise men of Final Cut Pro X answer questions at the recent LAFCPUG meeting. Filmed a few days after FCPX's release, they tackle some of the big questions about our new editing software.

So you thought that there would be no FCP X event at all during this year’s IBC? Well, we have got some breaking news for you.

LumaForge, FCPX Tour, Soho Editors and FCP.co are pleased to announce the FCPX Tour @ IBC, presenting from the ShareStation workflow Suite at Spaces Zuidas.

We usually announce the FCPX Tours a few weeks in advance. But the Tour that took place on February 3rd in Madrid did not need any promotion at all. Just one day after the event was mentioned on the FCPX Tour website and on finalcutpro.es, all 236 seats in the Cineteca movie theater were taken and there was a waiting-list of people hoping for last-minute cancellations.

These are exactly the type of tutorial videos we thought would be flooding the internet once FCPX was released. Short and to the point, this video shows how to record a VO in Final Cut Pro X.

No sooner had we posted the voiceover recording video, PixelWizard posted this video in the comments. A Final Cut Pro tutorial on matching colours and using vignettes.

Is it possible to give an award to a product that hasn't been released yet? Of course as Videomaker have given the NAB 2011 award to Apple's Final Cut Pro X.

How does Final Cut Pro X perform when it comes to editing a comedy web series? Michael Hadley from Screen D'Or Pictures tells us about his workflow on Knights of New Jersey and how FCPX was the best choice of NLE.

Chris Fenwick has been kicking out the FCPX podcasts on a regular basis. The 100th episode was an opportunity to do something different.

Brandan Fisher from FDPTraining likes organisation in his FCPX projects. In fact he likes organising so much, he's offering his 'Template Library' with colour coded folders to everybody for $4.99.

***Updated with Part Two***

There are many people on the internet who express their opinion about Final Cut Pro X, but Erik Knudsen does it rather well and rather succinctly. In the wake of WWDC, it refocuses us on the app, not the hardware.

Normally a company that sells, well, a lot of light leaks, Light Leak Love has launched a pack of 12 instagram style filters for Final Cut Pro X. Called FiltrCutPro they are available for half price for today only, Friday the 10th of April 2015.

The first word that springs to mind when we saw this new $35 pack of pre-keyed and animation capable elements & characters was 'original.' Released now for Final Cut Pro X & Motion, you can add these cartoon elements to your videos.

When Apple realised 10.1.2 that had more options on where to store media, it caught us all by surprise. This new update of FCLM to 2.50 now handles those changes to Final Cut Pro X.

The very clever application Final Cut Library Manager is a year old today, Wednesday 4th March 2015. To celebrate, Arctic Whiteness are offering 25% off the already inexpensive companion app for Final Cut Pro X.

Final Cut Library Manager has been saving disk space for editors since version 1. Now it has been updated to version 3.5 with a new Export to CSV feature.

Mark Spencer and Steve Martin have put together this very comprehensive 4000 word article on what is new in Final Cut Pro 10.1. Lots to read, lots to learn in this feature packed free upgrade. A must read for FCPX editors.

Everybody knew that Apple shouldn't have killed off FCP7 when FCPX was released. Have Apple listened to their customers and put Final Cut Pro 7 back on the market? 

Updated with interactive multi-touch iBooks link

What has been the most popular book on learning how to edit with Final Cut Pro X? A 'graphically enhanced manual' from Edgar Rothermich helped many people understand the simplicity and complexity of FCPX. Now a new version for FCPX 10.3 has been released.

Patrick Southern talks about how to create subtitles for FCPX using Subvert. Subvert allows users to create titles from SRT files so editors can cut foreign language interviews with ease. Subvert also allows users to generate SRT files from any Title subrole in Final Cut Pro X.

The first thing we did this morning in the FCP.co office after switching the kettle on was to sit down and watch this video. Real life examples of FCPX in action are always welcome.

When the first Graphically Enhanced Manual (or GEM) for Final Cut Pro X was released, it proved to be an ideal learning tool for the new NLE. Now the author, Edgar Rothermich has updated the manual again for FCPX 10.4 (10.4.2 to be accurate!)

It's been an pretty packed year for FCPX and Apple news. We take a look back at the big stories of 2013, the great user profiles, the new products that were released, the trade shows and of course the year ending big software and hardware updates.

There are many ways to colour grade in FCPX. You can use the match colour feature right up to third party plugins. Kevin McAuliffe takes a look through the options.

We feature many new products here on FCP.co, but we thought it was time to post a range of new free tutorials for FCPX and Motion5 that have been published so far this year. Lots in there for Final Cut Pro X and Motion. 

Every month new VR videos appear that push the boundaries of what this medium can do. This is the story of how editor Duncan Shepherd put Final Cut Pro X at the heart of ‘Pure McCartney VR,’ a series of five innovative Paul McCartney VR video films made by Jaunt.

Two items that get talked about a lot, but how about them both working together? Felipe Baez has put together a tutorial on how Final Cut Pro X can work in a collaborative way with proxies stored in the cloud. 

Producing a promo for the largest sporting event in the world takes some organising of footage, especially when the client wishes to build multiple virtual video walls. Joe Castellano edited the ESPN spot using FCPX and Motion before the final promo was finished in Flame.

We haven't read a decent review yet of the new MacBook Pro with the Touch Bar and Final Cut Pro X. A lot of tyre kicking and speculation, but no details on exactly what features work with FCPX and this new tool. So we tasked Chris Roberts with the job of testing and documenting what you can, and cant do with the new Touch Bar and FCPX. We think he's got screengrabs of just about everything!

It seems that the summer holiday period doesn't stop developers from releasing Final Cut Pro X plugins. Lots of them. Colour correcting, titles, lights and FCPX themes all feature in this roundup.

Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX whenshooting overscan and cropping a centre extraction.

Here at FCP.co, we are all too familiar with the advantages of a Final Cut Pro X workflow. But, as FCP X becomes more widely used throughout the production industry, we thought we’d dedicate a little space to helping those familiar with other NLEs get to grips with our favourite editing platform. We asked Chris Roberts (who’s both an Apple Certified Trainer and Adobe Certified Instructor) to help Premiere Pro editors draw parallels with FCP X.

Continuing our look at Final Cut Pro X for Premiere editors, Chris Roberts takes a look at the different editing techniques you can employ. There are some big changes and Chris gives you the information you need to know to get up to speed.

It's an update, but a small one. Final Cut Pro X has been updated to 10.0.09. No new features, but stability improvements and bug fixes are always welcome.

When Denver Riddle from Color Grading Central posted his excellent 15 part grading tutorial, we overlooked the range of presets he had made for FCPX. He's offering free presets as well as a $49 pack of looks.

If FCPX's film moment was with Focus, then this article is surely the television equivalent. We learn how Copenhagen based Metronome Productions' staff of 200 produce 300 hours of broadcast television using Final Cut Pro X.

Mike Matzdorff promised he would write up his 'Most awesome tip in the world' for FCPX and he's kept his word and done exactly that. He's cracked how to access an updating Library by another user.

How do you know Final Cut Pro X is popular? When you have to move into a tent as you've grown out of the usual meeting room! The recent FCPX meeting in Buenos Aires hosted by Leonardo Hancevich (Leo Hans) was a huge success.

***Updated with a trailer for the programme***

When Circuit Pro looked to cover the East African Safari Classic Rally, they questioned which NLE should be used for post production. After starting with FCP7, they discounted Adobe's Premiere Pro due to bugs and ended up with Final Cut Pro X. So how did it all work out?

What do you do when you've just downloaded a new app? Doesn't everybody open the package contents and have a look at the internal frameworks and resources? Alex Gollner kindly put together this summary of his detective work for FCP.co.

User stories of Final Cut Pro X in action always get the most hits on FCP.co. So when Nick Militello contacted us with the information that his DSLR short ScFi thriller 'The Sphere' made the most of FCPX, we had to know more.

***Updated File***

So you need to perform some compositing on your footage that FCPX won't handle. Now you can output your clips to Nuke with this free script and layer away.