Next up in the series of presentations from the Faster Together stage at NAB is Josh Beal. He thinks it is time for Hollywood to reconsider Final Cut Pro X as a viable editing platform.
If there is one person who knows about colour correction in FCPX it is Denver Riddle. He's published a free 12 minute crash course designed to show the new colour wheels and curves in 10.4.
The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.
We are always having to cut or extend music to the right length, always a lot of foot tapping, marker placing and nibbling frames away to get the perfect result. What if there was an easier and more flexible way? FCP Audio has an interesting range of music products that uses 'Soundstacks' that build music in sections.
The new captions feature in the recent FCPX 10.4.1 update is certainly creating a lot of interest. A new version of SpeedScriber, the automated transcription app now lets editors export transcribed text into iTT format for import as captions in Final Cut Pro X. Speedscriber 2 also supports five new languages.
The news from NAB about FCPX keeps on coming. Pond5 has just announced an app that works with Final Cut Pro X enabling you to edit with watermarked previews and then automatically replace the media on the timeline with high resolution footage.
Apple announced last week that all three of their Pro Video Apps would be available for update this Monday. You will need High Sierra to see them, but they are now all available on the Mac App Store.
Hot on the heels of their recent notification of over 150 new features for their video review and approval service update that will arrive in the Summer, Frame.io has just announced 'Watch folders for macOS'. This allows the high sped transfer of files such as dailies though a MacOS menubar app.
A few days before the 2018 Academy Awards, we published an article about the crowd-funded British short movie "The Silent Child", written by Rachel Shenton and directed by Chris Overton, that had been nominated for an Oscar.
The movie won, which was an incredible achievement considering that Rachel had never written a script before, Chris had never directed a movie before, the movie was produced with close to no budget, and it was cut with Final Cut Pro X by an editor who had never edited a narrative movie before and who actually learned FCP X on this job.
Apple has announced that updates of Final Cut Pro X to 10.4.1, Motion to 5.4.1 and Compressor to 4.4.1 will be available as free upgrades on Monday April 9th 2018.
Two big new features for FCPX are Closed Captions and the ability to use the new ProRes RAW codecs.
Apple also announced that 2017 was FCPX's best year with over 500,000 new seats being sold, bringing the total tally of seats sold to over 2.5 million since launch.
The Final Cut Pro X success stories keep on coming. This time we look at Norway's largest newspaper VG, whose TV arm switched to FCPX enabling them to expand their online media production.
With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.
Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.