Robin Moran's article about how to shoot on large format media such as 6K and then edit in Final Cut Pro X proved to be very popular. In part two, he looks at taking the media into Resolve and Pro Tools, with a few VFX back in FCPX.
Two more videos from the recent FCPX Tour@IBC 2016. In these just published videos, we have a documentary series shot on iPhones and a certified Adobe and Avid trainer explains why he prefers Final Cut Pro X.
An Apple event has been announced for next Thursday October the 27th. We will be reporting on new Macs and maybe the release of an update to Final Cut Pro X.
The FCPX Tour@IBC videos part 4: Tom Sefton (Pollen Studio UK) and Philip Hodgetts (Intelligent Assistance USA)
Time for two more videos from the recent FCPX Tour at IBC. Two completely different presentations, one a large 72TB 3D project and the other from a FCPX veteran!
What NLE does YouTuber Michelle Phan use to edit her videos on for the successful YouTube channel Ipsy? Final Cut Pro X of course! Her beauty and fashion company has put together a collection of short FCPX tutorials to help other YouTubers & social media posters. Be warned- old-time editors who don't want to learn, this is your wake up call!
If there is one quality you can use to single Final Cut Pro X out from the rest of the NLEs out there, it's the program's ease of great visual storytelling. Rusty Earl details how he used FCPX to construct the historical documentary 'Dawn of Day."
Time for the third set of videos we are publishing from the FCPX Tour@IBC 2016. Supermeet keynote speaker Duncan Shepherd talks 360 & Paul McCartney and Alex Gollner takes 360 video underwater!
Final Cut Pro X does a number of wonderful things. It can analyse your footage in all sorts of fascinating ways to help you fix problematic audio, to colour balance your shots and stabilise that wobbly footage. With a couple of third party stabilisers now on the market promising to provider better and faster results than FCP X’s built-in stabilisation, we thought we’d ask Chris Roberts to provide a steadying hand…
On to the second batch of video presentations from the FCPX Tour @IBC 2016. This time we have Denver Riddle from Color Grading Central with the very first live demo of the new Color Finale PRO plugin and Jesús Pérez-Miranda explains what makes the Final Cut Pro X editing paradigm so popular. Get a coffee ready!
Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction.
If you couldn't make the recent FCPX Tour in Amsterdam during IBC, you really missed out. Not a worry though as all the presentations were recorded and we will be publishing them right here on a regular basis. Here are the first two:
FCP.co has a table at the evening event at the FCPX Creative Summit later this month and we would love to see you. We also have a coupon code for 50% off the admission for you to get in for just $20.
A big update to a very popular plugin. Denver Riddle from Color Grading Central has announced the launch of Color Finale Pro for Final Cut Pro X
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