An update to Digital Anarchy's Flicker Free plugin has bought motion compensation, a large performance boost and a handy collection of presets.
One of the moans from people about Final Cut Pro X is the handing off of audio to a DAW for finishing. They haven't realised that FCPX has one of the smoothest tools available for getting an AFF into an audio session! These two filmmakers talk about the benefits of X2Pro to their workflow.
We have just had an email from FMC with an update including the announcement of the first speakers for the online conference. This year's FCPX Global Virtual Summit looks like it will again have a high quality set of sessions during the week.
Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.
On Tuesday the 6th of October, we welcomed Larry O’Connor, CEO and Founder of OWC for our FCP.co Live Thunderbolt 4 special. What is it? What does it do and why is it better than Thunderbolt 3?
When Jordan Smith needed to constantly reframe a conference speaker that had been shot in UHD, he made himself a simple 1080 Motion project to speed up the process.
Time for a longer look at the Flex 8, the combined RAID, dock and PCIe expansion unit. How does it work with Final Cut Pro and will it turn a MacBook Pro in to a fully configured edit station with just one connecting cable? We find out.
Brian Cantwell from Soho Editors emailed us details about a new free 45 minute remote editing masterclass video he has put together. The previous FCPX tutorial in the series has reached nearly half a million views!