Another superb Final Cut Pro X user story from Ronny Courtens. This time he talks to Chris Hocking from LateNite Films who post produced 'Neighbours - Erinsborough High' on FCPX. How did he convince the production team to use FCPX when the long-running original Neighbours is cut on Avid?
Many people asked why didn't we do more tests with the new 16" MacBook Pro on the launch day. We can now explain why, we found an annoying audio bug with Final Cut Pro X 10.4.7 and Catalina.
Today Apple has announced that the 15 inch MacBook Pro range has been replaced by the new 16 inch MacBook Pro. It gets a bigger screen, new keyboard, new sound system, better GPU and larger storage capacity. We take if for an early test drive with some 8K 60FPS ProRes RAW footage in HDR in FCPX!
We are looking forward to the release of the new Mac Pro and Pro Display XDR. We now know more about the release date and have more information on both.
We welcome Oliver Peters to FCP.co and his first post is a cracker! Oliver interviews Steve Bayes, who up until last year was the Final Cut Pro X product manager. They talk about the FCPX development process, squashing bugs, the now infamous launch, why ProRes was needed and of course the future of video production. A rare opportunity to get some historical background information about FCPX - Essential reading!
Want to make more money out of video? In this article from Sam Mestman, he details his ideas, solutions and hard-earned experience that will help you win more business from more clients and be happier doing it.
Want to get a bit more creative with plugins in Final Cut Pro X and Motion? ISF for Motion allows the user to write and load their own GLSL shaders into generators, effects, and transitions for Motion and Final Cut Pro X.
So just how efficient can Final Cut Pro X be in feature film post production? Find out from the story of the post production process of Gabriel, a new film from Portuguese Director Nuno Bernardo. (Updated with US & UK release dates)