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Shoot on your DSLR with the free 'Cinestyle' picture profile from Technicolor for better grading in post

***Update Technicolor have now posted the picture style & new FAQ after the readmore  More 'looks' also planned***

(First published on 15th April)

Dan Chung's reports have been excellent this week from NAB, but just for us editors we have saved the best 'till last. This free download from Technicolor will make your 5D or 7D more filmic in post production.

Who would have thought that the DSLR arm of Canon would team up with Technicolor? Well they have and between them have produced a 'Cinestyle' custom picture style for your DSLR which records in a true log mode instead of the normal REC 709.

What does this mean? Well when you get the media into FCP, you can be sure that all the dynamic range the camera sensor can offer has been recorded. Good detail in the blacks being one example. Joshua Pines from Technicolor explains the science better and demos the grading possibilities.

Good tips from Vincent Laforet too - especially ISO settings

Good examples of pushing CineStyle & Superflat settings to the limit by Zech

Technicolor have just posted the Cinestyle picture style, you have to fill out a form for the end user licence.

Q: Who developed the CineStyle?

A: The CineStyle was created by Technicolor color scientists and engineers over the course of the last 12 months with the cooperation of Canon U.S.A. Inc.

Q: Why was this developed?

Technicolor is responding to industry demand from cinematographers for enhanced flexibility in capturing images with CanonEOS DSLR cameras.

Q: How does it help the cinematographer?

A: The Technicolor CineStyle provides better dynamic range of the captured content. This allows for greater artistic freedom during shooting (as the look does not have to locked in during shooting) as well as during the color correction process in postproduction.

Q: What does it do to the image?

A: When the Technicolor CineStyle is selected in the camera it puts the standard H.264 REC709 color space into a log color space. Video images are recorded in log space. Still images are also converted into the same log color space. This is the first implementation of its kind for the Canon EOS line of cameras.

Q: How do you load the Technicolor CineStyle onto the Canon EOS cameras?

A: Using the standard EOS Utility software provided with the Canon EOS cameras. Download the Technicolor Cinestyle™ User Guide

Q: How does this compare to the existing Canon standard and gamma curve?

A: Canon’s standard picture styles are tuned for various shooting situations. This new picture style is a professional style specifically designed for the needs of cinematographers. It is also optimized to work with Technicolor’s DP Lights™ on-set color correction system.

Q: Is the CineStyle integrated into Technicolor’s post-production pipeline?

A: Yes, the CineStyle profile was designed and optimized for Technicolor’s post pipeline – but the files can be used with any major NLE software.

Q: Who are the potential customers of CineStyle?

A: Potential customers include the full gamut of cinematographers – from professional to novice.

Q: Did Technicolor work with cinematographers for their input into the CineStyle?

A: Yes, as is always the case when Technicolor takes on this type of project for development.

Q: Are there future plans for Technicolor's CineStyle offering?

A: Yes, Technicolor is currently planning the development of a series of additional “looks” to be deployed for the Canon EOS cameras.

Q: Can it be used for all Canon EOS cameras?

A: Although the Technicolor CineStyle was designed and optimized for the Canon EOS-5D Mark II camera, the Technicolor CineStyle can be installed and used on any current Canon EOS DSLR camera.

Q: Who will support the Cinematographer should they have any questions?

A: There will be an online support site from Technicolor in the future.


Written by
Top Blogger Thought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

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2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. 

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Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

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BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

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Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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