Brian Cassin goes in to great detail about how he efficiently edits a gameshow on FCPX. By using Final Cut Pro X and Lumberjack to pre-edit a season of High School Quiz Show, he saves hours, if not days of edit time.
While we wait for the rest of the FCP X Tour videos from NAB to get posted, here’s a last but certainly not least video from the FCP X Tour Barcelona. We couldn’t publish it sooner because some of the projects mentioned were still under NDA at the time of the recording. We hope you will enjoy the video presentation, but first some background information:
Please welcome a new author to FCP.co, Nick Harauz. He's an experienced Apple Certified Trainer and his first article is a detailed tutorial about maximising the use of roles in Final Cut Pro X.
Patrick Southern and Sam Mestman take us on a detailed walk-through of the workflow involved in the post production of a feature. We start with part one, on set where the capture of logging information is essential to cut time and costs in post production. With the first part containing over 4000 words of wisdom, this series will be the 'go to' post production reference for future filmmakers.
We publish part two of Sam Mestman & Patrick Southern's popular workflow series. This time they look at setting up Final Cut Pro X ready for editing and using tools to organise footage within Libraries. As always, lots of very detailed & valuable battle tested information for film makers.
Time for the last instalment in this reference series of articles for filmmakers. Part five is all about collaboration with colour, VFX and audio departments. We finish with how to deliver your film for theatrical release & display.
One of the moans from people about Final Cut Pro X is the handing off of audio to a DAW for finishing. They haven't realised that FCPX has one of the smoothest tools available for getting an AFF into an audio session! These two filmmakers talk about the benefits of X2Pro to their workflow.