A popular effect that's often requested, VU meters that move in sync with the audio track. Here's a good tutorial showing how that's achieved using the audio and quantize parameter behaviors.
Two completely different tutorials on using green screen in your productions. One of them qualifies for inclusion as it describes the process in Final Cut Pro X, the other because it's informative and fun for a Friday.
You might have seen this pop up a couple of days ago, we eagerly clicked a link in an email from Steve Martin to find the article unavailable. It's now back up, so if you really need that 3 way color corrector back in your FCPX life, read on.
Michael Wohl needs no introduction to us FCPers, but Dan Bérubé gave him an excellent one anyway. 30 minutes of Final Cut Pro X recorded at the recent Amsterdam SuperMeet.
So where is the deinterlace filter in Final Cut Pro X? A question asked by many including ourselves. FXMahoney has come up with a rather neat FCPX deinterlace tip.
A couple of videos from new tutorial maker Paulus the Woodgnome. Also probably the best colour picker tip for Final Cut Pro X you'll see for a while. We certainly learnt a few things.
A great video from the new Final Cut Pro X tutorial maker, FCPX Master. We see the differences between trimming, cropping and of course the old favourite, the Ken Burns effect on photos.
So your client wants to use one of the supplied Motion 4 templates in Final Cut Pro X. That's no problem, but how do you modify the template to match their corporate colours? Mark Spencer explains all.
We first saw this a few days ago and to be honest were slightly put off by the sparse website. There is nothing like a fresh demo to prove a point and here the author shows off the script exporting RED material out of Final Cut Pro X and into After Effects.
In these two vidoes, Larry Jordan the FCP guru of jaw dropping fame, runs us through Final Cut Pro X from scratch. If you've never worked the app before then this is a good place to start.
So you like using FCPX, but want to use a project from the previous version of Motion. No problem, Mark Spencer shows us how to get Motion4 projects into Final Cut Pro X.
The new rigging feature in Motion5 gives huge power to those who want to build their own effects for Final Cut Pro X. Andy Neil gives us a lesson on building an effect using widgets & rigs.
Given a month, most of us can edit together material into a pretty good storyline. But what if you have to present the result on the same day? Welcome to the same day edit (SDE)
So how close are the trimming modes between FCP7 and FCPX? In this tutorial all the major trimming methods are examined in both versions of Final Cut Pro.
When we first saw this video we thought "Why would anyone want to make music in Final Cut Pro X?" Then after watching the tutorial we realised that FCPX has some pretty powerful audio tools built in.
If you've got an hour and a half spare, grab a coffee and enjoy Alex Lindsay, Steve Martin and Mark Spencer talk about Final Cut Pro X. Packed full of FCPX information with an added bonus of how to make shot glasses out of CDs.
Today MotionVFX has launched mFlare, a plugin that brings gorgeous optical style lens flare effects to Motion5 and Final Cut Pro X. We have 5 copies to give away in our competition.
Wes James (AKA the NLE Ninja) has produced a set of nine tutorials wrapped up into a 40 minute video. No FCPX, no Motion, just layers, effects and rendering!
We return to Macbreak for episode two of Steve Martin and Mark Spencer's chat about Final Cut Pro X.
Has anybody said to you "Is FCPX different from FCP7" and you've had to try to describe the vast changes in the new version? This video might help.
We know that that the lack of multicam editing in Final Cut Pro X is one of Apple's top priorities to fix in an update. But what if you have a multicam job to edit and you don't want to use FCP7?
Although we think there now might be more copies of FCPX out there than FCP1-7, 'Classic Final Cut' is still being used by many editors, so we're glad new tutorials are still being made. This one's about favorites.
No guesses to which piece of editing software the boys are talking about here. They start right from the beginning with what will hopefully be a series on Final Cut Pro X.
When Denver Riddle from Color Grading Central posted his excellent 15 part grading tutorial, we overlooked the range of presets he had made for FCPX. He's offering free presets as well as a $49 pack of looks.
***Updated with link to hard copy version***
What a brilliant idea from Edgar Rothermich, build a manual for Final Cut Pro X that is light on text and heavy on the graphics. We like this a lot because as Edgar correctly states with the phrase 'A picture is worth a thousand words.'
This guy talks sense. He has boiled down into one video information that would have taken other Final Cut Pro gurus a whole day to present. We've watched a lot of FCPX videos here and if you can get past the rather odd window location, we definitely recommend a view. Humorous too.
When we posted the first two of Andrews' videos the last two were not available on Vimeo. Here he talks about the missing features within Final Cut Pro X and finishes off with the question "Is it for you?"
Nice to see somebody showing off what Final Cut Pro X CAN do instead of slamming it all the time. In these four videos from the recent LAFCPUG meeting, Steve Kanter runs through the positives.
You've got to be impressed by a demo that includes Monk footage - not that we are saying that the episodes get cut on Final Cut Pro X! Moviola Events presents Andrew running the audience through the new FCPX timeline.
Whilst waiting for a render to finish in FCP, a colleague mentioned that he had been 'volunteered' to shoot and edit a wedding video. The first big question after 'Why they heck did you volunteer me?' is 'What lenses do I need?'
Peachpit produce some of the best training books for software on the market, we've got a few of them on the shelves here on the FCP.co campus. They also produce the official books used for FCP certification.
The ability to edit 3D material wasn't included in the list of features of Final Cut Pro X when it was launched in June. Dashwood Cinema Solutions have plugged that gap by updating their 3D editing tools for FCPX.
If you've looked at the Final Cut Pro X section of the Apple website today, you might have seen four new videos added. Apple have come out of their corner fighting.
It's a pretty slow news day unless you want to watch a Sesame Street FCPX remix or a Gorilla with a GoPro. An ideal opportunity to post the last series of Final Cut Pro X color grading tutorials.
We have had many emails from people asking when the next set of tutorials would be available from Color Grading Central. The next five of these superb videos are now posted after the break.
Noise Industries were the only plugin company to have products that worked with FCPX on the day it was released. The new version of FxFactory is ready for that Lion OS X 10.7 and Final Cut Pro X combination. Tutorials after the break.
Over the weekend Scott sent us an email about his recent webinar on FCPX. We will let him take up the story about the list after the break.
Wow, an amazing resource on color correcting within Final Cut Pro X. We have to thank T Payton for posting this first on on our forum, the find is so good though that it had to make the front page!
We had a rather irate email from a reader saying that these tutorials had no place on our website. We disagree as we think anybody whether a student or author with Jordonian status has voice and a place.
If you've been editing with FCPX then you will know it is an all or nothing approach with showing your media in the event library. Here are two solutions that get round that problem, one gives Xsan compatibility too.
Is there any type of software that Lynda.com doesn't have training for? Yes, Final Cut Pro X, but the course is scheduled for release at the end of this month. They've posted some free tutorials as a taste.
Over the last few days we have been running a series of Dan's free FCPX tutorials. Today we post the last four in a collection of thirteen. Subjects include blend modes, transitions, keyframes and creating still frames.
We did say that today were going to publish Dan's next four free Final Cut Pro X tutorials, but that was before we discovered he had published a 7.5 video!
Dan Allen, a student filmaker has published 12 free tutorials for Final Cut Pro X. We always like to feature new tutorial makers so we've posted the first four after the break.
Michael was there right at the start of Final Cut development at Macromedia before Apple bought the program, so he's got a pretty good background in NLE design and how things work. Some excellent advice from him in these three videos from the recent LAFCPUG meeting.
We predicted that as soon as Final Cut Pro X was released there would be a huge amount of free online tutorials available. Izzy Hyman has not only posted this free 26 part tutorial, but he's also made media available for download too.
Some people say Larry is an FCP God. At the recent London SuperMeet last week he had a full 'house' of followers ready and eager to hear his wisdom. Watch the four part video after the break.
No sooner had we posted the voiceover recording video, PixelWizard posted this video in the comments. A Final Cut Pro tutorial on matching colours and using vignettes.
How does a free one hour tutorial on FCPX to get you started sound? This offer comes from Michael Wohl who has announced his range of Final Cut Pro training videos. He also has some intersting comments about our new NLE.
These are exactly the type of tutorial videos we thought would be flooding the internet once FCPX was released. Short and to the point, this video shows how to record a VO in Final Cut Pro X.
One of the frustrations of publishing Master Templates from Motion 4 to FCP7 was the fact that dropzones and text entry/tracking were the only controls that transferred between the apps. With Motion 5 and FCPX that's all changed, welcome to rig building.
A breath of fresh air after so much negativity over the last few days about a certain new piece of software. We had so many people viewing the last Photoshop tutorial by Sean Armenta from FStoppers, we thought we'd post this follow up.
This is a very brief first look at the some of the key features of FCPX from the viewpoint of the professional editor. Not the data wrangler, not the media manager, not the one-stop shop, production-company-in-a-bedroom. The cutter.
FCPX day two and we are starting to look into the new app a little closer and examine its possibilities and check out third party products. What plugins are available for FCPX? Will my old plugins work with FCPX?
So you just finished your first FCPX job and you need to send the audio off for mixing in a plush suite with all those faders that move up and down when nobody touches them. Automatic Duck have released an update to Pro Export FCP to help you get the files and data out.
There are going to be many people using FCP7 for a long time after FCPX gets released, so it's nice to see new 'Classic FCP' tutorials being posted. These two tutorials from Nick Horrox detail how to achieve that much desired film look.
Larry was the guy who coined the phrase "It's a jaw-dropper" when he had a preview of FCPX back in February. You can be sure he will have his Final Cut Pro X training sessions well prepared for his seminar on July 12.
Making 3D material is still not easy, so how difficult is it to make a 3D menu to start off your 3D Blu-ray disk? To be honest we wouldn't have a Scooby where to start, luckily we know a man who has produced an excellent half hour tutorial to show us how.
With tutorials sometimes we forget that some users are just starting out to use a program, they want good basic advice rather than the wizz bang how-to. This tutorial is a good look at the basics of using layers and masks in Photoshop.
There are two things we love about Tom's reviews and blog posts. The first one is his cool coffee table housing a Grass Valley switcher control panel. The second is his passion about passing on information and experience. Here he tests the Kessler Pocket Dolly Traveler with the Basic Controller.
How would you like to win a free pack of film burn effects worth $99? We have a licence to giveaway to celebrate Digital Cinema Foundations launch of their new pack of 10 grungy light leak effects. Winner announced
When we first saw the news of the Digimetrics Eos plugin for Final Cut Pro we thought 'nothing new' as it has been done before. Today a video for the Eos audio 'legaliser' was brought to our attention, so we thought we'd take a quick look at both.
Another video that took a lot of planning, this time with a lot of post production too. See how many movie scenes you recognise in this clever (almost seamless) one take video. Behind the scenes video included.
From today videos can be tagged with a Creative Commons licence. Does this mean YouTube becomes a free stock footage library?
In all the speculation about FCPX, nobody has mentioned about third party audio plugins. There is the rumour of Soundtrack Pro being incorporated, but what about being able to install specialist plugins that can do tasks like precision compressing or transient noise reduction? What tools could be available?
Straight up we have to give credit to Michele at Toolfarm for pointing out this record breaking video. It was shot in her home town of Grand Rapids and we think she would have liked to have been in it herself! Grab yourself a coffee and enjoy this nine minute piece of organisational skill as there isn't much editing involved.
It's not an FCPX tutorial, but it's not far off. Nice to see somebody who knows iMovie talk well about its relationship to FCPX.
There are built in tools for tracking within Final Cut Studio, but there are times when you need something a bit more powerful. Just watch this fast demo of Mocha AE working with FCP to put images onto an iPhone screen.
CrumplePop are back and they've made it Formal. We loved their Craftyand Luminex collections, so when we found out that they'd released a load of wedding templates and backgrounds to help edit that perfect wedding video. We had to check it out.
If you've been reading our site for a while, you will know we think that there will be big changes in training once FCPX has been released. There will be winners, but there will be a lot more losers. Have VASST taken a long hard look at FCPX and decided that it's just not worth producing FCP training products?
Every Final Cut Pro editor has come across this problem, background noise behind an interview. Hiss, hum, machinery, it can all make hearing those important words difficult. This can be exacerbated if you want to run music underneath or if you are cutting in and out of the interview and can 'hear' the edits. This tutorial shows how round-tripping via Soundtrack Pro can remove that unwanted background noise.
Some of the best Final Cut Pro tips are very simple and this is one of them. Especially handy for color correcting weddings or any project where skin tone color accuracy is vital.
There are plugins out there for 3D editing, but they are expensive even with the latest price cuts by GoPro. If you have FCP and After Effects and you're on a budget then this workflow is for you. Part two of the video and the finshed result after the break.
What with the Easter Holidays happening after the big SuperMeet announcement, there hasn't been much FCP news out there. This gives us an ideal opportunity to feature another training company publishing FCS3 YouTube tutorials.
A post FCPX sneak peak Larry Jordan tutorial. Larry shows us the basics of making different sized versions by exporting from the timeline and then using Compressor.
We noticed on the recent FCPX sneak peak video or screen grabs that one of the 'stock' effects was a 'Day to Night' filter. This set off a conversation with another editor about the best way to get the same look in FCP7
Some kinetic typography gives clear advice on how your scratch disk works in Final Cut Pro. Short but to the point and rather cool too. Video after the break.
It will be the last because from tonight when the 'new' FCP is demoed at the SuperMeet, FCP7 will named the 'old' Final Cut Pro. Tonight will be a watershed...
Another tutorial from Wes James. This time he replicates the scrolling animation you have on your iPhone. Everybody has an iPhone now right?
GoPro are used to riding waves, well they made them by purchasing CineForm, and here's a great tutorial of their new software bundle at work, providing a superb visualisation of how to fix convergence. Will we see this 'more iMovie' than Firstlight GUI/engine power Neo3D for FCP?
Always nice to see a new player on the FCP Tutorial Scene, and Soho Editors show us the simplicity and beauty of the autoselect tool. We bet most editors don't use these buttons.
Noise Industries powered PHYX Keyer 2.0 amps up popular keying plug-in pack with three new keying plug-ins for increased keying accuracy, speed and control in Final Cut Pro, Motion and After Effects. All the info after the break.
In this tutorial Larry Jordan shows us how to delete unwanted render files using the Render Manager. Last time we did this at FCP.co towers we had loads of files from old projects and managed to free quite a lot of space up.
It seems to be the current fashion with FCP tutorials these days to get as many tips in as possible, this video from Wes James is no exception. Learn how to do popular music video effects such as light leaks or even the Charlie's Angels wipe.
Walter Biscardi shows us how to use the broadcast safe filter in Color to get your Final Cut Pro timeline legal.
Last night Simon Walker said to us at the UKFCUG meeting in Birmingham that he had a new tutorial coming out today. Actually it is about 7 tips rolled into one! Standby to edit faster and thanks again Simon.
Could this be the shortest Final Cut Pro tutorial ever? It doesn't really matter how short this is, it's a damn good tip.
In this tutorial Walter Biscardi shows us how to avoid losing your favourites when you have to trash your preferences.
We have been itching to post the Youtube tutorial since we saw that Photo Montage, a new add on plugin pack, had been announced when FxFactory upgraded to 2.5.6.
Everyday new FCP tutorials are being added to YouTube, some of them good, some not so good. But, is there such thing as a bad tutorial? (Yeup we've seen Rob's) We think the whole training scenario is changing and us die hard broadcast editors are in the minority. Cue debate.
src="http://player.vimeo.com/video/21484772?title=0&" width="600" height="375" frameborder="0"> src="http://player.vimeo.com/video/21484772?title=0&" width="600" height="375" frameborder="0">
A bit of a tutorial rich Monday morning we'll start with a quick & handy tip from Clay Asbury. If you've ever found that the three way colour correction filter won't fix your underexposed footage properly, this might just be the answer.
Noise Industries have added a couple of plugins to their successful FxFactory Pro pack of plugins for FCS and After Effects. The poster image isn't that great, but the video is in 720p so hit the play button to checkout how to 'slice'. The video for 'flip' as well as information on Photo Montage is after the break.
Wes James delivers another tutorial on how to achieve that 'Home Improvement' transition style, you know the one where the picture gets cut up and then slides on or off.
Simon Walker shows us how to speed up editing in Final Cut Pro. A good 20 minutes of tips, techniques and humour as you can see from his tongue in cheek explanation of keyboard shortcuts! Well worth a watch.
Tutorial number 3 this week from Walter Biscardi. This time he shows us how to use the Title 3D generator in Final Cut Pro. I'm pretty sure a lot of editors don't even know this exists! Another good way of generating high quality text after the break too.
If you didn't make the Larry Jordan live webinar recently, no problem as the whole hour has been posted on YouTube. Larry uses FCP7 though so no jaw dropping just yet.
Walter has over 1300 fonts on one of his Macs, that's a lot. Not only does it get hard to pick one from that long list, it will also slow FCP down. In this video he plays font wrangler.
OK, maybe the title is a bit over the top but if you've ever had to do cutouts for motion graphics you will love this refined extraction process in Photoshop CS5.
Walter Biscardi has been working with FCP for quite some time now and you might recognise the name from industry forums and articles he's published. He knows his stuff. So we were very pleased when we found out he had just posted a quick FCP tutorial on how to read the built in 'scopes more easily. Very cool if you do a lot of colour correction.
Rick Young from MacVideo has put together all of his tips and tricks into one book called "Rick's Tips, Inside the Mind of an Editor." It is available in print or electronically for your iPad/iPhone/iPod.
Page 5 of 6