We are very pleased to publish part two of the story of how the Hollywood feature film Focus was cut on Final Cut Pro X.
This time we concentrate on how it was used and how the Libraries, Events and Projects were set up. Exactly how did Jan Kovac edit? What keyboard and control surfaces did he use? How did he trim? (Yes we asked that dynamic trimming question!) And the biggest job of all, how did he and his team keep everything organised?
We finish off with what Jan Kovac the Editor and the Directors Glenn Ficarra & John Requa liked about FCPX, what they didn’t like and some good ideas for the future.