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Living With the Kaby Lake MacBook Pro and Final Cut Pro X

Will the Kaby Lake version of the new MacBook Pro impress the editor of the site enough to get the company credit card out? Will FCPX get a performance boost? You will have to read to find out!

Back in November I had the pleasure of testing out the new 13 and 15 inch Skylake processor equipped MacBook Pros. Full review here.

You may recall that they were unveiled at a special Apple event that I was lucky enough to attend in Cupertino in October. They were thinner, more powerful and had a better display, but the big news was that Touch Bar. Chris Roberts very kindly spent a long time documenting how that works with Final Cut Pro X.

So, 10 months on and I’ve had a Kaby Lake processor 15” MacBook Pro on test for a few months. Has the speed bump made this one the one to buy?

MBP kaby lake 04

Apple makes good laptops, so good I’ve been quietly working on my mid 2012 retina since, well, mid 2012. Five solid years out of a laptop is good in anybody’s book, or bank balance for that matter. However you could argue that with the abandonment of Moore’s law as a technological metric, longer model ownership is now the norm. 

MBPkaby lake 01

The test machine is a 2.9 GHz Intel Core i7 with 16GB or RAM and the combined Intel HD Graphics 630 with 1.5 GB of VRAM or the Radeon Pro 560 with 4 GB of VRAM.

The machine retails at about £2,699, but I’d be tempted to up the SSD from 512 GB to 1TB for an extra £360.

Running the AJA speed test on the internal SSD gave an almost identical result to the previous Skylake model.

MBP kaby lake 02 

BTW to get the fastest test, set all the controls on the left of the app GUI to maximum

Whilst we are on similarities, the Kaby Lake MBP is the same form factor, same screen, same Touch Bar and has the same connectivity. Which leads on nicely to ‘Donglegate.’

 MBP kaby lake 05

The machine has four USB-C ports and yes, you do need to buy dongles or breakout boxes if you need to interface to older Thunderbolt & USB equipment. We all went through the same pain having to carry around Firewire 400 to 800 converters. But I'm thinking of buying this machine for the future and if my last purchase will be anything to go by, I’ll still be using it in 2022!

We have already seen Thunderbolt 3/USB-C products hit the market. Two interesting ones from IBC were the G-Tech GDrive rugged mobile SSD (more than happy to review one:) and the new AJA IO 4K plus box. The latter would be my choice of broadcast output for FCPX as it seems to go beyond the previous specs of the original model with frame rates etc. I’ve also felt a bit letdown recently with FCPX’s broadcast output through different Blackmagic boxes. Don’t really know what’s gone wrong here.

So although dongles at this moment in time are a slight inconvenience, your existing peripherals will be replaced by USBC/Thunderbolt 3 versions and you will have the speed and connectivity to benefit from them.

 MBP USB dongles

I do have a moan about the power connector. Not a complaint about the death of MagSafe, but an observation that the power cable and a thunderbolt cable look the same. Quite a few times I’ve unplugged a drive thinking I’m unplugging the power which isn’t good practice. I got into a routine of always plugging the power cable into the rear left-hand port which helped.

 MBP kaby lake 02

The Touch Bar is great, one finger logging in is very cool for those non Apple Watch wearers and of course comes in handy when purchasing items.

MBP kaby lake 03

The downside is that I think there is a lot of work to do with Final Cut Pro X and the Touch Bar. The fades are great, but why can’t I access the pucks in the colour board? Why can’t I automate the audio levels of a clip by riding the volume level? It seems that Apple has all the pieces in place for some amazing FCPX touch functionality, I do hope the next update brings a LOT more of FCPX’s control to the Touch Bar.

I like the new butterfly keys. Then again I do like keyboards that have a certain clickiness to them. Going back to the old scissor keys on the 2012 model makes them seem very spongy.
The larger track pad is very easy to get used to and going back to the 2012 model feels like you are navigating a postage stamp. I have had colleagues battling with palm rejection, I didn’t come across that problem.

But isn’t this article all about speed? Yes, but I though it was worth touching on some of the design changes of the newer models.

I can offer you two speed tests on the machines, one very accurate and the other a quick and dirty way of showing the FCPX performance bump you can expect from upgrading from a previous retina model.

Let’s start with the accurate Geekbench 4 test which is a great way to rank a machine’s power. You can test the CPU and GPU grunt independently. The higher the number the better.

Model Single Processor Gain on Previous  Multicore Gain on Previous  GPU  
Mid 2012 15 inch MBP  3602    11938    5450  
Late 2016 15 inch MBP  4300  +20%  13917  +16%  52398  +875%
Mid 2017  15 inch MBP  4533  +5%  15712  +13%  53227  +1.5%

Interesting stats showing that the Kaby Lake speed bump added 13% performance on multicore processing over the SkyLake model from last year.

Of course the biggest stat is the graphics card speed bump. A massive 875% increase from the 2012 model, but a disappointing 1.5% bump to the 2016 model.

Which brings us on to a more practical demonstration of power and this time from within FCPX.

MBP kaby lake 06 

You might have seen my recent chat with Jeff Greenberg where I built a multicam edit out of a Skype recording and then used some News Graphics over the top.

Initially, I edited the the hour long conversation on the 2012 model and set the project to export. Nothing special, just 1080p 25 frames a second with repositioned video and titles.

I knew it would take a while, but I didn’t expect that after two hours it would be stuck on 1%! No problem. I copied the FCPX Library to the 2017 model and started the export again.

It finished in under an hour. Impressive.


There seems to be a crowd of people that will always bash Apple by taking the opposite stance and I think the launch got slightly coloured by those negative reports. All the new MacBook Pros are good machines.

Dongles are not a problem, the Touch Bar isn’t just a gimmick and the maximum 16 GB of RAM is more than enough for most apps. I also don’t want to carry around a gaming laptop that’s even larger than my first Powerbook and weighs considerably more just to up the RAM count.

I think the cost gets harder to justify and although Apple dropped their prices on the refresh, £3,000 is still a lot of money, especially compared to PC models. Then again, there is a Pro in MacBook Pro and should you average the cost out based on my previous usage, £2 a day for a machine that I make money with isn’t bad

Would I buy one? Yes, upgrading from a 2012 machine, the FCPX performance is quite staggering. If I already owned a Sky Lake model, then the small increase in performance wouldn't be worth it. The next iteration should contain Kaby Lake Refresh processors with a modest speed bump rather than the new, extra cored Coffee Lake processors that we probably won’t see until next year. So no real worries that a current model won’t get completely overtaken in a very short timespan.

Buying this model also means that any manufacturing problems in the original Skylake version should have been sorted out and of course the new machine will be taking advantage of High Sierra.

So time to get the credit card out!


peter wigginsPeter Wiggins is a broadcast freelance editor based in the UK although his work takes him around the world. An early adopter of FCP setting up pioneering broadcasts workflows, his weapon of choice is now Final Cut Pro X.

You can follow him on Twitter as @peterwiggins or as he runs the majority of this site, you can contact him here.


Written by
Top Blogger Thought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. 

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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