Where were you seven years ago today? We were huddled over a laptop scratching our heads looking at Final Cut Pro 10.0. Things have changed a lot since then and now we have a stable, mature NLE that competitors are having to copy.
FCP.co friend Michael Kammes decided to build a Hacintosh, a computer built from parts that runs macOS. He succeeded, but was it worth it and would he do it again? He benchmarks NLE performance including FCPX.
Adobe has today announced a new cross platform NLE called Project Rush. Whist we welcome all new tools, it does look very similar to an old friend!
We have reviewed a QNAP desktop shared storage NAS before on FCP.co. This time we look at the TS-453BT3 4 disk unit from QNAP with 10GigE and Thunderbolt 3.
If you have been following the progress of "Off the Tracks", the documentary film about the birth of Final Cut Pro X, you will be interested in hearing from the film's producer, Brad Olsen. He takes us through 2 years of hard work on the film, from the initial idea up to the imminent premiere at LACPUG.
Want to look into the future of editing? Well, you can with this 20 minute demo of Lumberjack Builder from Philip Hodgetts. Watch how he creates an edit by dragging and dropping parts of transcripts together from interviews. Very clever. There's also the offer a free month of Lumberjack too!
Need to integrate FCPX with Adobe's After Effects? Chris Fenwick runs through his workflow when using the two apps together and gives us some great tips in the process.
We have done very little HDR to date at FCP.co towers, well to be honest, none. However, we do know somebody who has edited in HDR in Final Cut Pro X. Marc Bach gets us up to speed quickly with his recommendations about grading within the new extended dynamic range.
Time for another presentation from the Faster Together stage at NAB 2018. This time Steve Martin takes to the stage to run through his favourite FCPX tips. Learn how to use Secondary Storylines, Gap Clips, Audio Roles and much more to your advantage.
Next up in the series of presentations from the Faster Together stage at NAB is Josh Beal. He thinks it is time for Hollywood to reconsider Final Cut Pro X as a viable editing platform.