How are you going to make money out of video production in the future? Sam Mestman takes look at the current state of the industry and describes what he would do to capitalise on future trends and opportunities.
When broadcast transmission deadlines are tight, you need an NLE that's fast and robust. John Matthews describes his Final Cut Pro X workflow that enables him to deliver quick turnaround shows to the BBC with ease.
When we heard that Michael Kammes had moved to Bebop Technology, we were very curious to find out more about its online virtualisation of edit machines. He's very kindly told us what Bebop is, how it works and answers the question 'Could FCPX be virtualised'.
A user story very close to our heart at FCP.co. Winston Cely describes how his pupils at a school are using Final Cut Pro X to tell their stories. He also tells us how custom music gives them more freedom and choice for their productions.
LumaForge has published more presentation videos from the 2019 Faster Together Stage which was held during NAB in Las Vegas. Some great videos to watch and lots to learn from real life post production stories.
When Blackmagic displayed their dedicated Resolve keyboard at NAB, I thought it was a winner, a product thought I had had in my head for many years. Now I'm not too sure, what would the ideal dedicated NLE keyboard look like?
Two Oscars in two years in the best live action short film category for Final Cut Pro X. This year's winners took to the Faster Together stage to talk about how the film was made, including a live demo from the editor of the Skin timeline in FCPX.
We publish the first in a set of videos from the Faster Together stage at NAB 2019. We start with an inspirational presentation from Michael Cioni, Senior VP of Innovation at Panavision. He takes a long hard look into the future.