Apple has announced that updates of Final Cut Pro X to 10.4.1, Motion to 5.4.1 and Compressor to 4.4.1 will be available as free upgrades on Monday April 9th 2018.
Two big new features for FCPX are Closed Captions and the ability to use the new ProRes RAW codecs.
Apple also announced that 2017 was FCPX's best year with over 500,000 new seats being sold, bringing the total tally of seats sold to over 2.5 million since launch.
The Final Cut Pro X success stories keep on coming. This time we look at Norway's largest newspaper VG, whose TV arm switched to FCPX enabling them to expand their online media production.
With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.
Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.
Right from the launch, we have always been a big fan of Frame.io, the online video review and commenting service. For NAB 2018, they are previewing a new version with over 150 improvements.
Heading to NAB in Las Vegas and want to know where all the Final Cut Pro X action is taking place? Sam Mestman has put this guide together so you'll know when and where to be to get the best from your trip.
Do you remember Apple's 10.4 presentation from the LACPUG? Afterwards three of the filmmakers from the Apple Short Film Project got to present and talk about their entry. Sam Mestman takes a look behind the scenes of the productions with the finished films and recorded presentations from that night.
Tight turnarounds are not new in television, but in feature film production, being able to see a first cut within hours of the end of shooting is nothing but remarkable. Robin Moran explains how Final Cut Pro X gave filmmaker Ismail Basbeth and his team the speed and thus the 'creative room' to perfect his production.
Are you going to NAB this year? If so, you will need to read this message from Sam Mestman who details exactly what is happening regarding Final Cut Pro X on and off the show floor. (And also tell you where the party will be happening!)
It has been a few weeks since the event, but we are very pleased to be able to publish the full FCPX & Motion presentation that Apple gave at the LACPUG meeting in Los Angeles on January 14th.
**The Silent Child wins the live action short Oscar**
When British actress Rachel Shenton started writing "The Silent Child" in May 2016, she could not even remotely imagine that the short movie based on her screenplay would have such a huge impact on people all over the world.
If you are going to the BVE Show this week, then you will one of the first to see a couple of exciting new tools for FCPX. Codex will be previewing two new colour correction products on their stand.