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So just how efficient can Final Cut Pro X be in feature film post production? Find out from the story of the post production process of Gabriel, a new film from Portuguese Director Nuno Bernardo. (Updated with US & UK release dates)

If you want to implement a powerful new technology in your existing production pipeline, you also should be willing to step out of your comfort zone, and to adapt your workflows, so that every aspect of your production process can fully benefit from this new technology. That's what the post-production team of Producciones del Barrio in Barcelona has been doing since they moved to Final Cut Pro in 2016.

In the second of his articles for FCP.co, ex FCPX Product Manager Steve Bayes gives us his thoughts on the recent IBC trade show in Amsterdam. As he led the team who launched the fastest NLE, he also gives us his suggestions on the best way to benefit from the extra editing speed from new hardware.

We have known it has been in beta for a while, but today, Apple released the next macOS - 10.15 Catalina. We answer the questions about 32-Bit apps and legacy media using old codecs, especially Avid's DNX series. But the number one new feature for us is the ability for FCPX to output the viewer video to an iPad using Sidecar!

What’s the fastest way to learn filmmaking?  Get a bunch of iPhones, Macbooks, Final Cut Pro X and Filmic Pro, a ton of mobile filmmaking gear, and go make some movies together. That’s what they did at PBS station WDSE in Duluth, Minnesota with Cirina Catania, Aubrey Mozino, Sam Mestman and We Make Movies’ Smartphone Studio.  With the new iPhone 11 now available, we’re pretty excited about seeing all of this go to the next level.

Apple has just announced the iPhone 11 and iPhone 11 Pro. Faster chips, better screens and of course more cameras on the back. Those phone are nothing less of a computational marvel so we discussed the phones and their implications on mobile filmmaking. A lot of chat, a lot of information and a lot of fun!

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