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Red Giant Universe gets updated to Version 1.3 - Thirteen new tools added

Red giant universe 1 3

We were slightly sceptical when Red Giant announced their ever growing pack of plugins called Universe. Well, it's just had a thumping update with a lot of new effects and is beginning to look like a good cross-platform plugin collection.

It is billed as 'The fastest growing visual effects environment' for After Effects, Premiere Pro, Final Cut Pro X, Motion, Sony Vegas and DaVinci Resolve. A lot to live up to, but it looks like Red Giant are keeping up their promise of constant development and additions.

The update brings Universe up to version 1.3 with the addition of thirteen new tools and the support of Blackmagic Design's DaVinci Resolve.

 

 

“The Universe 1.3 update is full of some truly awesome stuff, including tools from CrumplePop, which were never before available outside of Final Cut. This update also features the all-new, highly realistic VHS effect, and support for a new host app: DaVinci Resolve,” states Aharon Rabinowitz, Red Giant’s head of marketing. “Resolve users have been asking us to bring tools like Knoll Light Factory EZ, Holomatrix and Retrograde into their app of choice, and today we’re excited to make that happen.”

Interesting that more of CrumplePop's tools are being included in the package. This could be a smart move from just supporting FCP & Motion to embracing the other popular NLEs out there.

New Free Tools:

  • CrumplePop Photo 2: Give footage the look of a classic or instant photo. Includes tools for color treatments, vignettes, camera blur and more.
  • CrumplePop Noir Moderne Light: Create dramatic noir lighting effects with saturation controls, optically captured vignettes, flickering, Venetian patterns and more.
  • PixelGlow EZ (voted on in Universe Labs): An effect that isolates the brightest pixels and applies a glow in a variety of preset shapes to mimic halos, sparkles and shimmers.
  • 3D Venetian Transition: A transition that divides the layer into vertically rotating sections, while simultaneously revealing a second layer of footage.
  • Fill Alpha: A simple utility effect that floods an alpha channel with a color, with variable blending with the original; includes a unique, highly requested blending parameter.
  • Sobel Edges: A useful “find edges” stylize effect with variable blending, using the Sobel gradient method to highlight footage edges.

New Premium Tools

  • CrumplePop Fisheye Fixer: An effect designed specially for GoPro® to correct GoPro fisheye lens distortion.
  • CrumplePop ShrinkRay: A fast and easy way to make big things look tiny by simulating a tilt shift effect.
  • CrumplePop Finisher: Use this effect to easily and dramatically improve the image quality of DSLR footage.
  • CrumplePop Overlight: A lens flare and light leak texture plugin that makes it easy to apply washed-out glows and lens flares to footage.
  • CrumplePop Grain 16: Using real 16mm film grain, add this effect to footage for the beautiful texture of authentic film.
  • VHS: Gives modern footage the classic look, color and distortion of old videotape.
  • Chromatic Aberration: A simulated lens distortion effect that mimics real-world lens aberration, in which there is a failure of a lens to focus all colors to the same convergence point; includes color splitting, lens distortion, blurs and lens textures for added realism.

Pricing

• Basic Membership: Free
• Premium Monthly: $10
• Premium Yearly: $99
• Premium Lifetime: $399

Go to the Red Giant Universe webpage for more information and the links to download Universe so you can try it out for yourself. Lots of free plugins in the package for you to keep.

 


Written by
Top Blogger Thought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

FCP.co

Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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