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GenArts release Sapphire V6 plugins for Final Cut Pro 7

Genarts_sapphire_v6

GenArts have released Version 6 of their popular plugin pack Sapphire for Final Cut Pro 7. They seem to be moving away from compositing tools and going for the eye candy.

When Sapphire was first compatible with Final Cut, most of the plugins were inherited from the top end compositing systems such as Flame. Your average FCP editor only ended up using a handful of the plugins, the excellent glow, film look, lens flare and vignette maybe. With the ever expanding range of inexpensive NLE's on the market including FCP7, Sapphire now comes with new plugins aimed directly at the one click eye candy brigade. 

The new flare editor is the most interesting to us as lightleaks and lens flares seem to be the 'must have' effect of the moment. Then again we can remember having to add page turns to everybody's productions not that long ago, look how naff they look now.

New in Version6 for FCP7 editors:

  • Design flares from scratch and control individual elements
  • Visually browse 1,100+ customizable presets on your media, or create and save your own
  • Get new presets monthly via an included one-year subscription to FX Central (currently in beta)
  • Enjoy expanded creative options with 240+ effects and transitions

Now for the eye watering bit, the version of Sapphire to run with FCP7 sells for $1,699.00 Ouch! If you want a floating licence then that will set you back $2,499.00. Don't get us wrong, we've used Sapphire on hundreds of productions, but this is a bit steep when placed alongside other plugin products in the FCP ecosystem. They do a offer a rental system that starts at $169 for a month. Other compatibe hosts include Adobe, Avid and Sony Vegas as well as the high end compositing apps, here is the complete price list.

GenArts produce some of the best engineered and highest quality plugins out there, but the industry is changing, fast. We would bust out the flare generator and make it into a standalone plugin and sell it for $99, that way they would get a lot more users on the first rung of GenArts products. No mention of when or if Sapphire will be available for FCPX either.

Here is a tutorial on building your own lens flares with Sapphire. The host is After Effects, but we would imagine the GUI will be the same in FCP7.


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I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

FCP.co

Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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