This is something that we don't really do, trail an article, but this time it's well worth it. How the Tour de France was edited on FCPX for UK broadcast television.
Producing a promo for the largest sporting event in the world takes some organising of footage, especially when the client wishes to build multiple virtual video walls. Joe Castellano edited the ESPN spot using FCPX and Motion before the final promo was finished in Flame.
Alex Gollner takes a look at Apple's recently granted patent that details how multiple editors could work on the same timeline. He's done the detective work discovering what might become true collaborative editing.
Take a group of dancers, three years and the ambition to push the boundaries of pole dancing and you have the ingredients for a good feature length documentary. It turned out that FCPX was the ideal tool for the edit.