Why do so many FCP editors have problems with multiple layers?
CSV to Motn is an app for creating videos out of data from a CSV file. The app uses data from a CSV file and turns it into motn files, these can then be rendered with either Compressor or a droplet from Compressor.
As we celebrate the end of 2020, it is time to look back at the highlights in the world of Final Cut over the last 12 months. It was a year of a flurry of software updates from the Final Cut team plus many hardware updates from Apple. It also saw an acceleration of editors working remotely and big improvements to the hardware and software of video production.
Watch the keynote speech from the FCPX Global Virtual Summit: Andy Stein from the Orphaned Starfish Foundation.
In this new live episode, we try to answer as many questions about Final Cut Pro and Apple's video apps as we can. Mark is live from Belieze!
We have all seen a lot of 'virtual choir' videos recently. Oliver Peters took the concept a stage further and edited a whole hour and a half virtual holiday cabaret show. In Final Cut Pro, of course!
Yes, I admit it, the title is kind of clickbait. But it is true, I did work a lot on the rough cut of our latest 76-minute music documentary while sitting in a bus for hours, travelling across Iran to our next filming location.
Simon Says has expanded its popular transcription service by adding 'Simon Says Assemble'. A web based, collaborative 'drag and drop' assemble tool for editing together interviews.
In this tutorial, you can find out how to grow lines in Final Cut Pro.
A presenter on green screen with accompanying graphics. Sounds easy? In this new tutorial you can find out how to build one of the classic presentation layouts.
Merge, the FCP event, clip and project management tool is now bundled into Postlab. Combine XMLs to get data from multiple sources into one updated Library.
Adding captions to videos is a tedious process, let alone adding multiple languages! Oliver Peters takes a look at the online transcription & translation service Simon Says,
Today Apple has updated all the pro video and audio apps. Final Cut Pro updates 10.5, Motion to 5.5 and Compressor to 4.5. A few new features for FCP, but all will now run on Apple silicon! We list ALL the new features.
We are two weeks away from the FCPX Global Virtual Summit. On the Thursday, all Apple presentations will be streamed live from Apple Park.
Iain Anderson's new book on Final Cut Pro X has just been published. He tells us what's in it, who it's for and why he wrote it. There's also a link for a free chapter to download.
Apple has announced a special event next Tuesday entitled 'One More Thing'. Will we see a range of new silicon Macs? Will we see a new version of Final Cut Pro X?
It struck once more! The Blackmagic/FCPX 'gotcha' that I swore I'd never be caught by again. Why doesn't the selected output work with Final Cut Pro X?
An update to Digital Anarchy's Flicker Free plugin has bought motion compensation, a large performance boost and a handy collection of presets.
One of the moans from people about Final Cut Pro X is the handing off of audio to a DAW for finishing. They haven't realised that FCPX has one of the smoothest tools available for getting an AFF into an audio session! These two filmmakers talk about the benefits of X2Pro to their workflow.
We have just had an email from FMC with an update including the announcement of the first speakers for the online conference. This year's FCPX Global Virtual Summit looks like it will again have a high quality set of sessions during the week.
Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.
Brian Cantwell from Soho Editors emailed us details about a new free 45 minute remote editing masterclass video he has put together. The previous FCPX tutorial in the series has reached nearly half a million views!
It's update time for the Pro Apps today. No new features, just bug fixes for all three and a few tweaks to iMovie.
Want to colour grade remotely with a client or colorist in Final Cut Pro X? Now you can with the popular Color Finale 2 Pro plugin running with the new Color Finale Connect workflow extension.
Oliver Peters takes Postlab Drive for a test drive! Does having a 'virtual drive' connected mean true collaborative editing for Final Cut Pro X users?
Ulti.Media has released an app for Final Cut Pro X that can split a movie into separate shots or add a marker at each shot change. On sale at only $6, that's a lot of functionality that could save a lot of time.
Postlab has expanded. Today we have the launch of the collaborative media tool Postlab Drive that takes advantage of the new proxy capabilities of Final Cut Pro X.
The Frame.io workflow extension for Final Cut Pro X was one of the first that got released. So with this week's 10.4.9 update to FCPX, it's good to see that it got an update as well.
Less than 24 hours after the 10.4.9 release and the tutorial videos are starting to flow in. We've put together a collection of ones we think are worth a watch and will add more when they appear.
Today Apple has released an update to Final Cut Pro X to 10.4.9. It brings new proxies, proxy relinking, media management and more. Also an update to Motion gives the ability to import 3D models- Wow!
Color Finale has to be the most popular third party colour grading plugin for Final Cut Pro X. Today, Color Trix has announced that a new workflow extension beta will become available that will allow FCPX editors to grade remotely.
We will be talking about how to use Final Cut Pro X with YouTube - or better still, how to maximise the discoverability of your YouTube videos and channel. YouTube is the second largest search engine in the world, so why not use all the features?
This new app for Final Cut Pro X comes with a story. A joint venture between myself and Philip Hodgetts & Greg Clarke at Intelligent Assistance, Creator’s Best Friend all started from wondering why a YouTube status bar was in sections.
We welcome Nathan Orloff to FCP.co Live. When the lockdown stopped him editing the new Ghostbusters film on Avid, he edited the celebrity-filled Home Movie :The Princess Bride from home on Final Cut Pro X! Join us, it should be fun!
What do actors do when the Hollywood movie machine shuts down due to Covid-19? They make a home movie of course!
Home Movie: The Princess Bride started off as an idea by Jason Reitman to raise money for the World Central Kitchen charity. It ended up being a 10 part series that is available on Quibi. Nathan Orloff had the job of stitching all the actor-shot iPhone footage together. He used Final Cut Pro X of course!
We have liked LumaFusion since its release, but now a new feature has turbocharged the iOS editing app into a very capable, collaborative editing tool.
Teaching video production skills to over 300 students in three days? No problem for Tom Morris when he hosted a mobile film workshop. Then two events happened in 2020 that made him realise that transferring shooting, editing and storytelling skills to young filmmakers can really change lives by giving them a voice in the community.
A week later and the information from a packed WWDC is beginning to sink in. The move to Apple Silicon will bring advantages to FCPX such as speed and resource use, but what about new possibilities with new technology?
In Live Show 13 we talked about WWDC and what that means for the Pro Apps (including Final Cut Pro X) running on the new Arm-based processors. We have seen there's a new FCPX, Motion and Compressor coming - what else do we know? Don't miss Jace Sparks talk about future API's for FCPX!
When Frame.io embarked on producing their 'Working From Home' series, they didn't realise that they would be testing out a new workflow.
Ever wondered what is taught in one of Sam Mestman's Smartphone Studio classes? He's just posted 10 free YouTube tutorials from the curriculum, three of which are all about Final Cut Pro X.
Whilst we were perusing the specs for a new MacBook Pro, we noticed that there is now a more powerful graphics card option. There's also a new customer SSD upgrade kit for the Mac Pro.
Final Cut Pro X isn't ready for prime time? Think again. The recent series of BBC1's Have I Got News For You was post produced on FCPX. Could it handle the multiple angles of composited layers in a complex multicam timeline with a tight turnaround? The editor James Branch details the workflow.
Right on the back of Mike & Michael launching their series, Apple and FMC have are promoting their free sessions from Post Production World Online.
Mike Matzdorff and Michael Yanovich have been busy making tutorials during lockdown. Today they have released the first two in a five part series. Titled 'Unauthorised FCPX' they are aimed at editors taking another look at Final Cut Pro X.
Show 12 on Tuesday June the 9th brings us some 'unexpected' Final Cut Pro X tutorials from Mike Matzdorff and Michael Yanovich. Both (hopefully) will be with us. We also talk about producing 3D 180 content with FCPX for The Slow Mo Guys with Daniel Fabelo.
Explosions, fire, paint, slow motion & 3D 180 - What more could you want? Daniel Fabelo runs through the Final Cut Pro X workflow he uses editing for the popular YouTube channel The Slow Mo Guys.
Yes, even YouTuber's need a little help from their friends. Justine Ezarik, aka iJustine, has been creating content for YouTube for over a decade. Back then, Justine was mostly able to host, shoot, and edit all of her videos on her own. However, with over 6.4 million subscribers and nearly daily content, she recently decided to bring on some help.
Show 11 on Tuesday 26th of May brings us a team of editors, each have their own story on dealing with COVID19. How has the pandemic affected post production and will anything change after the restrictions are lifted?
It is a challenging time for us all, especially students trying to continue to learn. Rusty Earl decided to use Final Cut Pro X to document his local school district’s journey to teach remotely during COVID-19.
In his latest software review, Oliver Peters takes a look at four different plugins from Digital Anarchy. From skin smoothing to removing flicker, each plugin in Final Cut Pro X and Motion performs a task of improving or mending video footage.
Ever wanted to time your Final Cut Pro X exports exactly? Now you can with ChronoX, an app that means you don't have to sit there with a stopwatch!
Show 10 is upon us and we have a great lineup. We will be talking about Post Production World Online - including how to enter the sweepstake to win a ticket. We also find out how quickly kids adapt to filmmaking using iOS devices and FCPX through The Orphaned Starfish Foundation.
The Orphaned Starfish Foundation helps kids to break their cycles of abuse and poverty through technology based education. This is where filmmaking using iOS devices and editing on Final Cut Pro X is changing lives.
For two days, there are free sessions running at Post Production World Online that are dedicated to the Apple ecosystem for filmmakers. To watch, all you have to do is register!
Today May 5th, we will be on air with show 9 of FCP.co Live! We have Frame.io CEO Emery Wells who will talk about the updated the new Transfer app. We will also giveaway a ticket to the 2020 Post Production World Online event - Worth $299!
There are two ways that you can join in with the show that starts at 1000 in Los Angeles, 1300 New York, 1800 London, 1900 Paris and (Sorry Australia) 0300 Sydney.
There are also two ways that you view;-
1) Join us here on Zoom. this is limited to 100 places, first come first served!
2) Watch above live on YouTube or click the link here.
On today's show we are very pleased to welcome the CEO of a company that is announcing a new product today. More information on this when we can!
We will also be giving away a pass to 2020 Post Production World Online event. This pass to the online conference organised by FMC is worth $299.
Today Frame.io has announced an update to its popular online video review service. It has also made the beta of their new Transfer app available.
We don't really need an excuse to do an FCPX tutorial roundup; they always go down well on FCP.co. However, we haven't done one for a while so that's a good reason to catch up.
The live show is back... Almost! Our rehearsal that wasn't meant to be a rehearsal went live and it was a lot of fun. Above is the cutdown version, the whole show (swear words and all) is in the article below. Enjoy!.
We've reported here before on the news of the Color Finale 2.1 update. It has now been released and available for download: so Oliver Peters took it for a test drive in Final Cut Pro X.
Ever wanted to know the complete workflow for a series from shooting, through editing in Final Cut Pro X and then delivery? Sarah M. Deuel and David Payan have documented the entire post-production process of Rooster Teeth’s paranormal reality TV series, Haunter.
We have covered both MergeX and PostLab here on FCP.co. Now we can be the first to announce that they have joined forces! The app for merging FCPX libraries together is now part of Postlab.
Jonathan Eric Tyrrell had a choice: carry on commuting long distances for his job, or organise his life around working from home. He tells us why and how he took the decision to hit the reset button; work from home and start spending a bit more time with his family.
Aimed at those who might have more time on their hands and want to learn new skills, or editors who need to work from home, Apple has extended the free trial period for Final Cut Pro X and made a free trial for Logic Pro X.
Oliver Peters talks to director Brantley Gutierrez and editor Ryan P. Adams on why Final Cut Pro X was the perfect tool to edit Paul McCartney's 'Who Cares' music video.
Five years on from the launch of Color Finale for Final Cut Pro X, we have the announcement of the upcoming V2.1 update.
The Banker is a film staring Samuel L. Jackson, Anthony Mackie, Nia Long, and Nicholas Hoult. In theatres now and available on AppleTV+ shortly, it was shot on film and edited in Final Cut Pro X. Oliver Peters talks to the producer and editor, Joel Viertel.
Adam Schoales has a regular job every year of putting together a short 'highlights' film of the last night of the Toronto International Film Festival. This year, he thought he would do a screen capture of the 10 hour Final Cut Pro X edit process - and then speed it up to 10 minutes!
If you've spent any time in Final Cut Pro X discussion forums, then you've probably run across posts by Tangier Clarke, a film editor based in Los Angeles. Clarke was an early convert to FCPX and recently handled the post-production finishing for the film, Jezebel. I was intrigued by the fact that Jezebel was picked up by Netflix, a streaming platform that has been driving many modern technical standards. This was a good springboard to chat with Clarke and see how FCPX fared as the editing tool of choice.
As Final Cut Pro X lets beginners cut high quality media from the moment they open the app, do they look at the software learning process any differently to established editors? Steve Bayes visits the recent Vlog University and Smartphone Studio Workshop to find out more. He also gives us some great FCPX editing tips.
The real growth in production today is not at Hollywood studios or the creation of new broadcast channels, it's online. Digital studio Kin publishes hundreds of videos yearly. With over 5M followers and 15 million monthly views, Final Cut Pro X is the NLE that's allowed them to achieve such a prolific output.
Popular iOS editing app LumaFusion from Luma Touch has added FCPX XML export, which means projects can be transferred to Final Cut Pro X in seconds.
Pro Color Monitor is a new standalone app that allows an editor to use false colour in a video or photo editing application. The false colour shows which way the color correction controls should be adjusted to remove casts for a perfect white balance.
Want to make some graphics to include in your FCPX edit but don't have Motion? You may already have the free tool you need on your Mac!
It's not very glamorous, but backing up and archiving is essential to not only make sure you can return to a project at a later date, but also to free up space and move media to another drive. The new ARC-X app for FCPX does exactly that with a host of other features to make getting a project back from an archive easy.
How can you speed up your edits? If you have a lot of dialogue in your production, one way is to use transcription. Jake Carvey details his FCPX workflow on his recent Habitat for Humanity project.
We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.
Color Finale 2 for Final Cut Pro X has been released. Join us with the Commercial Director, developer of CF2 along with Sarah K Euschen on our YouTube live chat at 1800 GMT.
Many people asked why didn't we do more tests with the new 16" MacBook Pro on the launch day. We can now explain why, we found an annoying audio bug with Final Cut Pro X 10.4.7 and Catalina.
Today Apple has announced that the 15 inch MacBook Pro range has been replaced by the new 16 inch MacBook Pro. It gets a bigger screen, new keyboard, new sound system, better GPU and larger storage capacity. We take if for an early test drive with some 8K 60FPS ProRes RAW footage in HDR in FCPX!
I'm sat at the airport waiting for a plane out of San Francisco, so this gives me time to reflect on the 2019 FCPX Creative Summit. What was it like and was it worth it?
We welcome Oliver Peters to FCP.co and his first post is a cracker! Oliver interviews Steve Bayes, who up until last year was the Final Cut Pro X product manager. They talk about the FCPX development process, squashing bugs, the now infamous launch, why ProRes was needed and of course the future of video production. A rare opportunity to get some historical background information about FCPX - Essential reading!
So just how efficient can Final Cut Pro X be in feature film post production? Find out from the story of the post production process of Gabriel, a new film from Portuguese Director Nuno Bernardo. (Updated with US & UK release dates)
If you want to implement a powerful new technology in your existing production pipeline, you also should be willing to step out of your comfort zone, and to adapt your workflows, so that every aspect of your production process can fully benefit from this new technology. That's what the post-production team of Producciones del Barrio in Barcelona has been doing since they moved to Final Cut Pro in 2016.
In the second of his articles for FCP.co, ex FCPX Product Manager Steve Bayes gives us his thoughts on the recent IBC trade show in Amsterdam. As he led the team who launched the fastest NLE, he also gives us his suggestions on the best way to benefit from the extra editing speed from new hardware.
In the last of three parts of this detailed and informative Final Cut Pro X user story, Carsten Orlt details his social media workflow and how to find a platform and funding for your films.
We saw Patrick Southern move to Frame.io only a few months ago. Hot on his heels is Michael Cioni who moves from Panavision.
We have a great show this week, not only do we have Steve Martin, Jeff Greenberg and Chris Fenwick on the show to talk about the 2019 Creative Summit, we also have a ticket to give away as well. You must tune in!
What’s the fastest way to learn filmmaking? Get a bunch of iPhones, Macbooks, Final Cut Pro X and Filmic Pro, a ton of mobile filmmaking gear, and go make some movies together. That’s what they did at PBS station WDSE in Duluth, Minnesota with Cirina Catania, Aubrey Mozino, Sam Mestman and We Make Movies’ Smartphone Studio. With the new iPhone 11 now available, we’re pretty excited about seeing all of this go to the next level.
"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?" In this show, we will be speaking to Carsten Orlt who we recently featured on FCP.co, he jumped!
Apple has just announced the iPhone 11 and iPhone 11 Pro. Faster chips, better screens and of course more cameras on the back. Those phone are nothing less of a computational marvel so we discussed the phones and their implications on mobile filmmaking. A lot of chat, a lot of information and a lot of fun!
Back in 2012, we featured a book about delivering for broadcast by Craig Russill-Roy. Seven years on, he's back with more tutorials, including how to layout a commercial in FCPX the correct way for delivery.
The team behind the visual programming environment Vuo recently announced the capability to turn Vuo compositions into plugins for FCPX. Beta 2 is out and has new features for plugin builders. (With special promo price)
Part one of Carsten Orlt's story of the making of the Visible Farmer series was very popular. In part two, he goes into great detail about exactly how he edits with Final Cut Pro X. Lots of FCPX editing tips to follow and knowledge to be had!
Join ex FCPX product manger Steve Bayes, Sam Mestman, Ronny Courtens with host Felipe Baez on our live chat on YouTube. We welcome Steve and Ronny to FCP.co and talk about what we expect from IBC 2019.
We are very pleased to welcome Steve Bayes to FCP.co as a regular contributor. Steve up until a year ago was the product manager for Final Cut Pro X, so although he can't talk about future FCPX plans, we look forward to him sharing his 30 years of post production wisdom with us.
"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?"
We are very excited to publish the first part of Carsten Orlt's amazing Final Cut Pro X user story. Making good documentaries is hard enough, but working from a mobile base adds another level of hassle and complexity!
Dušan Sekulović got in touch with FCP.co to tell us about a music video he produced. Inspired by old black and white films, he explains how everything was edited and composited in Final Cut Pro X.
Another workflow extension for Final Cut Pro X and this time it is all about training. iJustine in partnership with Ripple Training have produced a beginners course of lessons for Final Cut Pro X.
Apple's Motion is now over 15 years old, so time to give FCPX's backbone companion app a little love. In the article below we take a look back, but the live chat will end up looking forward. Where is Motion going next? What features will the next Motion have and what would Motion benefit from getting. We discuss, live on YouTube!
Page 1 of 13