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Walter Biscardi shows us how to use the broadcast safe filter in Color to get your Final Cut Pro timeline legal.

If you've ever looked at the internal FCP broadcast safe filter on a proper waveform you will know it has its limitations. This clever tutorial from Walter shows us how to use the very accurate controls in Color instead. Now if Apple would make a Color 'plugin' for Final Cut instead of round tripping we would be very happy.

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