Adobe has today announced a new cross platform NLE called Project Rush. Whist we welcome all new tools, it does look very similar to an old friend!

When the first Graphically Enhanced Manual (or GEM) for Final Cut Pro X was released, it proved to be an ideal learning tool for the new NLE. Now the author, Edgar Rothermich has updated the manual again for FCPX 10.4 (10.4.2 to be accurate!)

We have reviewed a QNAP desktop shared storage NAS before on FCP.co. This time we look at the TS-453BT3 4 disk unit from QNAP with 10GigE and Thunderbolt 3. 

Need quick, good looking text titles in Final Cut Pro X? Simple Pop from Stupid Raisins might be the answer, a set of 27 modern, clean FCPX title plugins.

Transferring large files across long distances with the internet has always been a problem. MASV.io has updated their fast large file transfer system with new features to help. There's also a free trial with up to 400GB of transfer to try the service for yourself.

We now know the name of the new macOS that should be released later this year. At Apple's World Wide Developer Conference in San Jose California, macOS Mojave was introduced and its got a great 'dark mode' that will work well with the Pro Apps.

You might be familiar with Luca and Luca Visual Fx plugins. But did you know he also composes music and sound effects? He's just released a Mystery & Suspense sound library and has very kindly published a coupon code for 20% off for FCP.co readers.

In the next of the series of FCPX related presentations from the Faster Together stage at NAB, Roger Bolton from Coremelt demos Scribomatic and a new tracking paint tool.

Alex Gollner – known to many the Final Cut community as Alex4D – has just released a new set of plugins for working with 360° spherical video: Alex4D 360° Effects. They are on special offer at $49 for the launch, down from $79.

If you have been following the progress of "Off the Tracks", the documentary film about the birth of Final Cut Pro X, you will be interested in hearing from the film's producer, Brad Olsen. He takes us through 2 years of hard work on the film, from the initial idea up to the imminent premiere at LACPUG.