The guys are back from the pre 10.2 radio silence with a new episode of MacBreak Studio. This week they look at 3D text in FCPX, plus we look at a cool way to create masks.
We published yesterday that Final Cut Pro X 10.2 would accept Sony FS7 XAVC L files without the need for the Sony XDCAM plugin. We were right, but there is one essential piece of information you need to know and one large 4K sized problem.
Ripple Training has just published a new episode featuring Final Cut Pro 10.2, Motion 5.2, Compressor 4.2
So just how fast can you build a slideshow in Final Cut Pro X? Doug Suiter from FCPXposure shows us, just don't blink! Plus we run through some free and commercial FCPX plugins that help to build an good looking slideshow.
Building a night sky in Motion, adding an extra angle using 4K material in a FCPX multicam edit and smoothing skin in DaVinci Resolve. It's Tuesday so it's the Ripple tutorial roundup!
Quite a few free tutorials to get through in this roundup. From just starting out in FCPX & Motion, to advanced sound techniques & fixes, there is something for everybody to learn.
Managing your sound effects and batch renaming in Final Cut Pro X and fixing multiple lighting sources in Blackmagic Design's DaVinci Resolve. It must be a Tuesday and time for the Ripple tutorial roundup.
Brandan Fisher from FDPTraining likes organisation in his FCPX projects. In fact he likes organising so much, he's offering his 'Template Library' with colour coded folders to everybody for $4.99.
A slightly different lineup this week, We have a new MacBreak Studio and Motion 5 minute episode, but this time they are accompanied by a Resolve tutorial.
A whole range of subjects for this week's Ripple tutorials. Two from Mark on Motion and one from Steve with FCPX. All without an ELO gag too. (We were tempted but these tutorials came out of the blue.)
We have to say congratulations to Pixel Corps and Ripple Training for getting their 300 episode of MacBreak Studio published. This time they look at that old chestnut, dynamic trimming in FCPX and FCP7.
Hyperlapses seem to be the flavour of the month in TV production. So how do you use your DSLR to shoot one on location and then edit them in FCPX?