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Yes more great FCPX demos to watch and more coffee to be drunk this morning!. FCP Exchange continued on March 5th at Abel Cine in Burbank. The second session of the Final Cut Pro X workshop series featured collaborative workflows and shared storage solutions. The day included sessions from Apple (which was private for the crowd) Quantum, Softron, Blackmagic, and editors Charlie Austin, Patrick Southern and David Tillman. Great viewing!

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Swiss national television network Radio Télévision Suisse handles 800 hours of on-air content each year in its Post Production department, with FCP X and a ShareStation Enterprise shared storage system. Ronny Courtens explains why RTS chose FCP X, the shared storage system and how the combination of speed and performance is perfect for their needs. Lots of info, lots of pictures and lots of videos, so get a large coffee and enjoy. Worth an email to anybody who thinks FCP X is not a professional tool as well!

Whiskey Tango Foxtrot is the new comedy war film from Paramount Studios starring Tina Fey. We asked director Glenn Ficarra, Editor Jan Kovac, Assistant Editor Kevin Bailey and Apprentice Editor Esther Sokolow how the film was made, what was different from Focus and of course how well Final Cut Pro X performed?

We think you know the answer already, but again their detailed workflow is well worth a read. Especially if you are going to cut your next Hollywood feature film on Final Cut Pro X!

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Not only did 'What Happened, Miss Simone" open the 2015 Sundance Film Festival, it's also on the nominee list to win the best documentary feature at the 2016 Oscars. The editor, Joshua L Pearson and Tim Moyle, the assistant editor tell FCP.co about how the film was edited on FCPX with special emphasis on managing and keywording a lot of archive.

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How does Final Cut Pro X perform when it comes to editing a comedy web series? Michael Hadley from Screen D'Or Pictures tells us about his workflow on Knights of New Jersey and how FCPX was the best choice of NLE.

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We are back with a great user story. David Tillman describes his journey from being put off by FCPX from the initial scare stories to how he embraced Apple's new generation NLE cutting two high profile documentaries. A great read, we think his story will echo a lot of other editor's experiences.

We have many enquiries about writing for FCP.co - we love new interesting stories. This short article explains what you need to know about our content and what you need to supply to get published.

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